I'm fortunate in my friends.
Mary B started me back on Craig Childs so I've been steadily reading and reading his works. The Way Out a true story of ruin and survival arrived a couple weeks ago - so I immersed myself in that book. During the same time, M and I went to the Georgia O'Keefe exhibit at the Denver Art Museum - the paintings, the katchina, the Hopi renditions of weavings and of O'Keefe herself all coalsed with the Childs books. Then M and I went over to the Denver Museum of Nature and Science and wandered around the Snowmass exhibit before wandering around the North American Indian exhibits - again, reminding me of Childs books. And, in an aside, I bought the recent Vogue Knitting book for the little article about Van Gogh's Wooly Balls. Another connection - M and I enjoyed the Van Gogh exhibit at the Denver Art Museum, I love Cheryl Oberle's books and my son, the artist, so loves Van Gogh he named one of his mastiffs Vincent. Some things just resonante.
If all that wasn't enough, Mary told me about Nancy Spies's book Here Be Wyverns - Hundreds of patterns graphed from medieval sources from Arelate Studio. I also purchased Here Be Drollies - Hundreds more patterns graphed from medieval sources
I can see spending hours filet crocheting some of those graphs into curtains. I have a number of medieval graph books but began to wonder about knitting ones... which seems to have lead to nothing but trouble:
Medieval-Inspired Knits - stunning brocade and swirling vine patterns with embellished borders by Anna- Karin Lundberg.
I doubt I'll ever knit any of the sweaters - gorgeous tho they are - but I love her concept and her inspirations. I especially like this part of the blurb "...this gorgeous book is a visual playground for the knitter". Yes, indeed - visual playground.
I have been rereading and reading Gail Godwin since I recently bought her writer's journals. I've read Godwin for decades so I don't know how I missed reading the Odd Woman before. I have A Southern Family on deck, so to speak. But what stopped my heart and sent me flying to other books is her Heart [a personal journey through its myths and meanings]. I thought her chapter on Absense of Heart/Heartlessness was beyond compare and reread it several times. "All of us have known someone with an absent heart. You knock on this person's organ of response and get no reply. The first few times, you make excuses for the lack of resonances... But after the dozenth - or hundredth time, if you're the hopeful type - your knock begins to echo the terrible truth. There's no response. Something basic seems missing, but you still can't believe it's the heart." Godwin goes on to quote from Adolf Guggenbuhl-Craig's book Eros on Crutches: On the Nature of the Pyschopath rather extensively. I'd recommend Godwin's book for this chapter alone but then... she went on to discuss An All-Around Heart - Paul Klee and my heart was lifted in response. I love Klee (how not) and to read her chapter on him was so splendid it brought happiness to my day. Godwin writes "When I am fearful or melancholy or petulant over something, I can take up a volume of Klee's paintings and drawing and ...immediately enter a better place."
If that wasn't enough, there is Mary Walker Phillips' Creative Knitting a new art form which I wish I found decades earlier. But here we go - her response to Klee (page 12) where she says "The works of Paul Klee never fail to give me new ideas. Many of his compositions are harmonious lattics of verticals and horizontals - the linear qualities that are so inherent to knitting"
Reading Phillips brought me to Mary Thomas' Book of Knitting Patterns then I wandered over to buy Phillips book Knitting Counterpanes: traditional coverlet patterns for contemporary knitters which lead me to Marianne Kinzel's First and Second books of Modern Lace Knitting. And of course the Legacy of Shetland Lace by the Shetland Guild of Spinners, Knitters, Weavers and Dyers remains close at hand.
All this medieval and heart stuff finally made me realize it's time to study Barbara G Walker's nonknit books. I've heard about them for decades but never had the time to get or read them. It's time.
So here are the ones I bought and am contemplating:
The Woman's Encyclopedia of Myths and Secrets
The Crone woman of age, wisdom and power
The Woman's Dictionary of Symbols and Sacred Objects
Restoring the Goddess equal rites for modern women
and finally (because M has a Tarot deck and I know absolutely nothing about Tarot):
The Secrets of the Tarot origins, history and symbolism
Now, if you want to look at all the above books and think about it - you can see the connection of Walker's knitting books and her woman studies books. It's striking, at least to me this sunny morning, that at 60, I am revisiting some of the things I contemplated, achieved and dreamt back when I was a younger woman in the 70s. Back when life was wide open and I could make of it what I willed. I think these books will open some more doors into new ways of thinking and I am eager to step through and see what I will learn along the way.
Thanks always to Anne who mailed me her copies of Walker's Knitting
Treasuries - bookmarks and all - a number of years ago and started my
journey on the Shetland lace project. Another connection - her mind and designs are myth and story inspired.
Oh yes, it appears my spell check is refusing to help me out - forgive any misspelling.